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A Triumph of Feast & Festivity: LA Wine & Food 2024

Stomach grumbling. Must. Save. Appetite!

After a quick tour of Frieze Art Fair at the Santa Monica Airport, it was time to focus on the most anticipated event of the day — the Los Angeles Wine and Food Festival. Finding our way in was a bit of a treasure hunt, but once we discovered the entrance, it felt like we'd hit the jackpot. My team and I, armed with appetites ready for destruction, were eager to dive into the gourmet goodies that awaited us.


This gesture underscored the festival's ability to blend the culinary with the artistic, creating an immersive experience that appealed to all our senses.


First impression: The production was impeccable. It was clear from the get-go that meticulous planning had gone into ensuring a seamless experience for all attendees. The layout was thoughtfully designed, eliminating any dreaded long lines and making every delicious dish within easy reach. The spacious setup was great for comfortable mingling (although, it's hard to chat with people when you're stuffing your face with wagyu meatballs), creating a perfect backdrop for indulging in the seemingly endless assortment of bites offered by the wide variety of talented chefs. The staff and vendors were all in great spirits (a major shift from the uptight Frieze staff) which made our experience that much better.

A central, circular bar, staffed by an efficient and friendly team, served as an oasis for those looking to quench their thirst between the sweet and savory offerings. This well-oiled station ensured that we were never parched, granting us more time to explore the festival's appetizing activities. We even ran into the rising star food critic Luca Servodio of The LA Countdown (See his review here). 



After we snacked around a bit, our attention turned to the Artist Plate Project booth by Artware Editions. This unique presentation featured an impressive display of 40 plate editions, each crafted by a high-caliber group of visual artists. The booth was not only a feast for the eyes but also a testament to the incredible talent and creativity of the artists involved. The team behind the booth was exceptional, providing insights into the artworks and sharing stories that enriched our appreciation for each piece. Learning that this project has raised close to $6 million to provide food, crisis services, housing, and other critical aid to thousands of people was impressive. It even inspired my friend Collin Sommers to buy me a plate as a gift to celebrate my newborn son. It was a hard decision as there were so many good options. I ended up choosing the stunning 2021 edition by Lisa Yuskavage. This gesture underscored the festival's ability to blend the culinary with the artistic, creating an immersive experience that appealed to all our senses.

Lisa Yuskavage, 2021 Artist Plate Edition



Once the bites were bitten and the drinks were drunk, it was clear that the Los Angeles Wine & Food Festival was a masterclass in event production, culinary excellence, and artistic innovation. The Artist Plate booth, in particular, stood out as a brilliant showcase of creativity and collaboration, leaving us inspired and eagerly anticipating next year's edition.

Thank you to LAWFF for the invitation and I'm eagerly awaiting the next edition. 

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GRØSS DOES PARIS+ par ART BASEL (pt. 1)

WELCOME TO A SAUCY ITINERARY OF ARTFUL RESTLESSNESS

TUESDAY OCT 18

“Wow, it’s so small but so heavy!” said the gate agent as she heaved my luggage. Since it was technically a carry-on size, she couldn't have expected an absolute brick. “And there’s two??!” Here we go, myself and Christina, our style director, departing LAX. All was smooth sailing until we landed at CDG, walked to baggage claim and saw our luggage — wheels crushed.

 

Alas, heavy mags and broken bags couldn’t get us down.

Bonjour, Paris!

Grøss <3 The Hoxton Hotel

Like the mailman, The Hoxton always delivers. Their Paris location is now the fourth Hoxton hotel the Grøss team has stayed at (including Rome, Portland and Williamsburg), and we’re always welcomed with excitement and ease. Located in the 2nd arrondissement, they’ve melded grandiosity with sleek design, amplifying the chicness only an 18th-century residence can embody. Bustling with locals and travelers alike, The Hoxton Paris is a hub for creative industries; a melting pot of connoisseurs. The perfect place to host our Paris+ Opening Party.

After checking into our immaculate, top-floor terraced room, we did as the Parisians do; eat charcuterie, drink delicious wine, and connect with friends at Planche, The Hoxton’s natural wine bar where we met with Stephen, our Bostonian transplant and resident sommelier.

From there we hit La Prochaine Fois, Le Feu (translates to The Fire Next Time, a reference to the book by author James Baldwin), a two-person exhibition featuring works by Kehinde Wiley and Alexandre Diop, where Wiley mentored the young Diop. This exhibition was produced by Reiffers Art Initiatives and hosted by Numéro Mag at Acacias Art Center. A raucous circle of rappers jostled the mezzanine — giving an abundance of life to the space directly in front of the stunning artwork by Wiley. Thanks for the gift bags, Numéro.

 

 

No time to waste — a car was called and we were swept off to the next destination: The Hole + Super Zoom’s Manscaping show and dinner in the Marais. The pink space housed pieces by Anders Oinonen, Caroline Larsen, Matt Belk, Matthew F. Fisher, Matthew Hansel, Mathew Tom, Cecilia Fiona, Eric Yahnker, Leo Park, Magda Kirk, Ramiro Hernandez, Jeremy Shockley, Pablo Benzo, Anthony Miler, Tim Irani and Brendan Lynch.

 

 

A packed, hazy upstairs hosted a scene reminiscent of a glorious college house party, with Ray cooking up a storm under Bertie the Pom’s careful supervision. We bumped into advisors, dealers and gallerists — Kathy (The Hole), Dimitri (Lorin Gallery), Andrea and Lauren.

 

 

Fast forward to Mary Celeste wine bar where we met with Danny, Grøss’ very own Ambassadeur Maitre Fromager (seriously, he got a medal while we were in Paris) and selected a couple of bottles under Stephen’s guidance.

Our last stop of the night, Hotel Le Super Bitch (kidding) aka the infamous Hôtel Costes. Yeah, it’s a cool, moody lounge but, damn, they could turn the “moody” level down a bit. It was all worth it to meet up with one of our cover stars, Big Bless himself, Mr. StarCity. Always a pleasure, fam. Probably won’t be returning to Hôtel Costes any time soon, though. I may or may not be 86’d...

 

WEDNESDAY OCTOBER 19

Forcibly peeling my face from the pillows, the motivation to wake was stoked by a special delivery of croissants and coffee courtesy of the Hox team (you're the man, Theo). Time to get moving.

 

 

To do:

  • Shower off the long night.
  • Avoid thinking about the 9hr time difference between LA and Paris.
  • Prep and assemble our co-branded gift bags.
  • Takeover Hoxton’s library space at the base of Jacques’ Bar.
  • Scarf a couple of delicious burgers courtesy of Rivie (shoutout to the homie, Kim)

 

 

Party starts and people pull up — what a rad turnout. The intimate Jacques’ Bar was perfect for hosting an array of creatives and artists alike. Colombian photographers, musicians from Mexico City, French film directors, stylists and founders, PR pros — a powerful crowd all moving to the seamless sounds by Cezaire and DJ Warren. Thanks to Cocchi, our beverage sponsor, the bar was flowing with a trifecta of dangerously tasty cocktails.

 

 

As the clock struck 23:30h, the energy was palpable and it was clear the night was far from over. Crush a couple of pizzas with new friends then a quick stroll to Colonia Speakeasy for the Whitewall Magazine party — too crowded for comfort. We rang it in at Le Grande wine bar, Stephen’s stomping grounds, proceeding to get a masterclass in specialty French vins. After a short stumble up the cobblestone streets back to the lovely Hoxton, it was lights out around 4 am.

 

 

THURSDAY OCTOBER 20

Attempting to get out of bed before noon, we made our way to Paris+ at the Grand Palais Éphémère, the temporary home while the Grand Palais undergoes renovation. Shout out to the Claudine Colin Communications staff, Paris+ par Art Basel’s press department for taking such good care of our team. They made it easy and efficient to retrieve our press badges, and we were off!

 

We knew we were doing multiple days of the fair so we took our time diving in and out of the main and emerging galleries tents, eyes sporadically bulging with delight. As it was a PACKED fair, it was only natural to bump into a couple of friends, like Spanish artist Okuda — unfortunately, we didn't snag a pic together since he zipped away on a same-day round-trip flight from Spain just to catch the fairs. His life pace is unreal.

 

 

Paris+ sits at the base of the lawn leading up to the Eiffel Tower. On our way out, we sauntered through the gardens, hopped on a couple of Limes, and biked along the Seine, excited to go meet up with our primo from LA. Hugosaurusrex is his name, coordinator for Kendrick Lamar’s Big Steppers Tour is his game. Together we ate one of the worst meals in Paris but it was overshadowed by our excitement for VIP passes to Kendrick’s specialty, a live-stream show at Accor Arena on Saturday, commemorating the 10th anniversary of Good Kid Maad City.

Hugo joined us for an exhibition by Unit London featuring a stellar installation of generative works of Willam Mapan. A few other exhibitions were happening in the building too... don't mind if we do.

 

 

We ended the night accompanying Hugo to his first-ever Eiffel Tower light show — pure magic.

 

 

CONTINUE TO PT. 2

 

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GRØSS DOES PARIS+ par ART BASEL (pt. 2)

A SAUCY ITINERARY OF ARTFUL RESTLESSNESS... CONTINUED

 

FRIDAY OCTOBER 21

We were pumped so many of our VOL. 4 artists were showing and attending Paris+, including the ever-lovely Andy Dixon’s latest solo show, PATRON’S HOMES, at OTI’s new Paris location located across from the President of France’s home.

Love Andy.

Love the show.

 

“This new series of paintings is a culmination of Dixon’s decades-long practice that encapsulates the artist’s uniquely vibrant and gothic-pastel palette with adept technical skill, rooted in vast art historical knowledge. The 16 paintings in this exhibition each feature previous paintings from the artist’s “Masterpiece series” ~ Venus ad Adonis, Bacchius, ONE MORE, TWO MORE.. each “Masterpiece” was photographed then repainted in their current spaces, their PATRON’S HOMES.”

Images courtesy Julien Pépy

 

The last time I visited Paris, I ate a crepe that tasted like hotdog water... Thankfully Christina found MALO, a rooftop creperie on the top of the epic Printemps building (it has 10 domes which is absurd) and le crepe vengeance was had.

 

 

After a quick refresh and a futile attempt at working, we went to meet up with some friends at a zesty local spot, Sonny’s Pizza, that exceeded all expectations. You can't go wrong with rad staff and house-made hot honey on fresh pies.

 

 

Our litty committee had grown to six people and it was only proper that we take our newcomers to see the spectacle that is Le Comptoir General. Part museum, part pirate ship, and fully entertaining, this bar/venue is like a loft that resembles a nautical theme park. Highly recommended.

 

 

As if we had a shortage of beverages, we ended the night making new friends over a crisp round of conversations and cocktails at the beautifully designed Gravity Bar before clocking out for the night.

3am? Need sleep.

 

Image courtesy of Gravity Bar

 

SATURDAY OCTOBER 22

Stoked to meet up with our Amsterdam team Luna and Greg who landed the night before. Day two of Paris+ commenced and the carousing began.

 

After running into LA-based art dealer Leonardo Ledesma, we scooter ganged over to Salon 94 Design, catching the closing of 53 Miles West of Venus, a group show featuring F Taylor Colantonio.

 

This rigorous schedule demands constant refueling. Arrive at one of the more highly anticipated restaurants in Paris, Frenchie Wine Bar. Sitting across a cobblestone alley from its more famous Michelin-rated sister restaurant by the same name, the bar du vin offers a more casual avenue to try the incredible food from renowned chef, Greg Marchand. Make sure to show up promptly at 6:30 pm or you won’t get a table. We proceeded to do the most degenerate American thing possible, ordering one of everything on the menu — epically paired with wines selected by, you guessed it, monsieur Stephen.

 

Leaving the crew to complete the dinner of countless courses, Christina and I saddled up Lime-bike-stye, ripping the streets on our way to Accor Arena. Kendrick Lamar goes on at 9:15 pm draped in black leather and exquisite custom silver belts and harnesses hand-made by Mexican artist Arlette. Kdot slayed hit after hit to a sold-out crowd. Bravo, sir.

Watch the performance here.

 

 

Images courtesy Greg Noire

 

Post-show, it was back on our trusty steeds for a 15-min cycle through town ending at Soho House for some (forgettable) dirty martinis. Maybe next time they’ll have cookies.

 

SUNDAY OCTOBER 22

After forcing myself to get some work done in the morning, I made my way over to Carette (the epitome of Parisian sidewalk brunch cafe) to meet the rest of the crew. We had the quintessential french onion soup hangover cure and Christina reluctantly ate her first snail which she instantly regretted.

 

Afterward, we wandered into Mariane Cramer Projects' joint exhibition with Août Gallery and saw a masterpiece featuring none other than the superstar, Bertie the pom. Artists in this exhibition included: Mariah Ferrari, Yann Houri, Mathilda Marque Bouaret, Lotte Keijzer, Juan de la Rica, Jordy van den Nieuwendijk, Nicolas Romero Eversiempre, Jim Mooijekind, Arjen and Arno Beck.

 

Stopping by to get eyes on Drôle de Monsieur's latest season of elevated streetwear, their storefront felt like a 70’s living room mixed with an elegant gallery space; bold designs popping like art.

 

Our Parisian correspondent Pierre met us after attending AKAA Fair back at our local spot, Mary Celeste for somehow, more wine.

 

We walked it off with a healthy stroll to the 11th to hit Clamato, a cool new restaurant from the Septime Family presenting creative seafood dishes. While waiting for our table, we got the royal treatment at La Cave L'Incognito and snuck in a decadent visit to Le Chalet Savoyard — an EPIC cheese restaurant like I’ve never seen before. The fondue and raclette were double doses of dairy debauchery.

 

We ended the night getting denied entry to SO/ Paris, a Paris+ partner hotel, even with our press passes because the bar closed at 12:15 and we arrived alas, at 12:16. Oh well, it was whatever and the night manager should probably find a new job.

Our 6th and final night had come to an end.

We said au revior to grand Paris the following day, possibly smuggling a checked bag full of cheese.

 

 

Join us next year.