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Surviving the Dream with FIDLAR

by Grady Olson

Photo by Jordan Cramer

In the heart of East Los Angeles, tucked away in the Balboa Recording Studio and art space, FIDLAR – Zac Carper, Max Kuehn, and Brandon Schwartzel – crafted Surviving the Dream, their first album in over five years. Recorded in 12 days, with just the help of a few buddies. That’s how Zac Carper, Max Kuehn, and Brandon Schwartzel wanted to do it. But also kind of how they had to do it, with no label, no fancy producer, a testament to FIDLAR's DIY ethos. But who gives a shit where you record, the boys are back and they’re the same as they ever were but a lot different. 

Photo by Jordan Cramer

The Dream Evolves

Surviving the Dream is a phrase they coined based on Aussie band and good friends Dune Rats' motto, "Living the Dream." But for FIDLAR, the dream has shifted and evolved into a new meaning; it now teases on that darkness that is a constant underlying positivity, reflecting the realities of getting older and navigating life's ups and downs. As lead singer Zac Carper explains, "They used to be crashing on couches and people would ask how they were and they'd just say, 'living the dream.' So whenever I’d be out during covid and someone would ask me how I was doing, I’d say, 'surviving the dream.'"

Photo by Jordan Cramer

Creative Process in the Midst of Chaos

For Carper, the new album's creation was intertwined with his journey of self-discovery as it’s the first album since the frontman was diagnosed with bipolar disorder. Having a somewhat better understanding of his creative process now, which comes in waves while in a manic state, "It took longer. I was scared to drop in." he admits, describing the waves of manic creativity that fuel his songwriting. "Once I do, there's no stopping that wave. It’s like meth. I’m up for three days. I’ve tried meds and they make me okay but it kind of fucks with everything else. So I’ve just got to find that right cocktail.” 

Photo by Jordan Cramer

It's in the aftermath of these manic episodes that the editing and refining process takes place that shapes FIDLAR's distinctive sound. “I do drafts. I’m a big fan of drafts. It starts out with a ukulele and then there will be like 7 demos to it. So once I create, I just create and create and then crash. Then I’ll listen back, like okay; what sounds good? There's a lot of editing.”

 

"Once I do, there's no stopping that wave. It’s like meth. I’m up for three days."

 

DIY or Die

With no label backing, FIDLAR welcomed back their familiar DIY approach to recording. "No one would give us a bunch of money," Max Kuehn quips. "No one would do it for us, we’re off a label, so why not just self produce it," adds Brandon Schwartzel. This self-reliance allowed the band to maintain creative control and capture the raw energy that defines their live performances. 

Photo by Jordan Cramer

The same goes for the album cover. Wanting to create that paint pen, exacto knife, ‘broke kid let’s just make something aesthetic,’ they just did what they wanted with the font and the smiley face. “We took that and manipulated it to use as a single art piece but then also throughout the lyrical videos. We scanned it and fucked it up, paint penned it, scanned it again.” Brandon

Photo by Jordan Cramer

Aging Gracefully in the Mosh Pit

While the band members may be getting older, their fan base seems to stay young, which is good for the guys  "After the pandemic, we realized everyone is like 15. What the fuck happened?" Carper laughs. “We were all expecting everyone to have kids and pull their Fidlar shirt out of the garage, like an old dude with a beard and a beer. But then there was this youthful sort of energy that really pumped us up.”

Photo by Jordan Cramer

For FIDLAR, energy is the driving force behind their music. "One of the main rules is just energy, energy, energy. How do we bring the most energy to it?" Carper emphasizes. This focus on capturing the live essence of their music allowed them to record the album quickly and efficiently, prioritizing feeling and vibe over technical perfection.

This youthful energy has injected new life into the band, like a punk fine wine, they’re aging gracefully in the mosh pit, inspiring them to continue pushing boundaries and creating music that resonates with the young and restless. 

Photo by Jordan Cramer

The Dream Continues

FIDLAR's longevity can be attributed to their unwavering commitment to craft and DIY spirit. As Schwartzel puts it, "Let’s get it out, go play, and then keep going. Keep playing, keep writing, and then record stuff when it comes." Surviving the Dream is a testament to this enduring passion. FIDLAR is here to stay, ready to ride the waves of music, life, or whatever else for years to come. 

Photo by Jordan Cramer

Photo by Jordan Cramer

 

FIDLAR - 2024 NORTH AMERICAN HEADLINING TOUR DATES

September 23 - Santa Cruz, CA @ The Catalyst

September 24 - Sacramento, CA @ Ace of Spades

September 25 – San Francisco, CA @ The Regency Ballroom

September 27 – Portland, OR @ Roseland Theater

September 28 – Seattle, WA @ Neptune Theatre           

September 30 – Salt Lake City, UT @ The Grand At The Complex

October 1 – Denver, CO @ Summit

October 2 - Fort Collins, CO @ Aggie Theatre

October 4 – Minneapolis, MN @ Varsity Theater

October 5 – Chicago, IL @ Vic Theatre

October 7 – Toronto, ON @ Phoenix Concert Theatre

October 8 – Buffalo, NY @ Electric City

October 9 – Brooklyn, NY @ Brooklyn Steel

October 11 - Philadelphia, PA @ Theatre of Living Arts

October 12 – Boston, MA @ House of Blues

October 14 – Washington, DC @ 9:30 Club

October 15 – Asheville, NC @ The Orange Peel

October 16 – Nashville, TN @ The Basement East

October 18 – Carrboro, NC @ Cat's Cradle

October 19 – Atlanta, GA @ Variety Playhouse

October 21 – Dallas, TX @ Granada Theater

October 22 – Austin, TX @The Mohawk

October 25 – Tucson, AZ @ Hotel Congress Plaza

October 27 - Del Mar, CA @ The Sound At Del Mar                       

October 31 - Los Angeles, CA @ The Bellwether

February 17-25, 2025 - Flogging Molly’s Salty Dog Cruise

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Elderbrook Talks Fatherhood and Going Deep on New EP Innerlight

Alexander Kotz, also known under his DJ/producer name Elderbrook, has quite a lot going on right now. He became a father in December of 2020 shortly after releasing his debut album Why Do We Shake In The Cold?, has just released his new EP, Innerlight, and finishing up his North America tour before going on to perform across more than 13 countries across Europe. We were lucky enough to sit down with him before his concert at The Novo Theatre in Los Angeles.

First of all, congratulations on having your first child!

Yeah, at the end of last year I had a little baby girl! I just dropped them off at the airport. They were with me for the first half of the tour.

I also wanted to congratulate you on releasing your new EP, Innerlight! What was the inspiration behind the EP? Has becoming a father influenced your art in any way?

It's hard to say because I had a child during COVID-19 so it's difficult to know what was different about my life because of having a kid and what was different because the whole world was shut down.

As for Innerlight, I think having a little baby girl definitely influenced the lyrics. For example, when I was writing my song “Domino”, I kind of saw it as a way for me to talk to her about these ideas of ‘just take a step back, don't worry about it, everything’s gonna be okay.’ Almost like I was teaching her a life lesson. But at the same time, it’s something that I often have to remind myself about. Having a little baby girl really made me want to talk about that and just gave me a lot of new perspectives and different kinds of things to write about because I'm not just writing about myself anymore. I want to write about my daughter.

Innerlight has some amazing features on it, including Louis The Child, Bob Moses and Emmitt Fenn. How did those come to be?

Well, because everyone was locked down I wasn't doing sessions with anyone so everything was being done online. So because it was online, you know, might as well work with people from America or people from… (laughs) I guess yeah, it was all American people! It just meant that everyone was more up for doing stuff online more so than before. But I mean, Zoom sessions aren't the most vibey so I really missed being in the room but you know, we're back!

What I really love about Innerlight is how you pair these highly emotive and moody melodies and deep lyricism with rhythms that would be impossible to listen to sitting still.  What do you feel is the best way to listen to the album to the EP?

Me personally, I like to listen to music while I'm driving alone. It gives you a chance to bop around a bit and, you know, maybe no one's watching and you can just do whatever you want and it gives you a chance to properly listen as well.

"Just take a step back, don't worry about it, everything’s gonna be okay."

Elderbrook at The Novo in Los Angeles

Why Do We Shake in the Cold was one of my favorite albums to come out last year. It certainly had a more indie feel to it and thematically was rooted in human connection, whereas Innerlight is more electronic/dance and about the self. Was that juxtaposition intentional?

I guess it wasn't intentional, but because obviously, I was by myself (in lockdown) it made me want to explore that and explore what that means for me and what that does to me. And yeah, I guess that's what Innerlight ended up being. “Broken Mirror,” for example, was an extremely personal song to write because I’ve not found it easy to be that honest with my lyrics before. I've been honest but I really felt like I delved quite deep with that one.

"I'm not just writing about myself anymore. I want to write about my daughter."

Haley Killam Photography

What has it been like performing such a personal song to a live audience?

I really, really loved it. And I think every single time I play it live it really just takes me back to where I was when I was writing it and I kind of get that lump in my throat. But then, you know, there's that big release on the drop and it’s been going down really well. And everyone's been really kind to me (laughs).

It really is a great track. And I kind of love how it's the only track on the EP that is just you without a feature. What made you feel like you were at a point in your life where you were ready to write that song?

I actually wrote it with a writer called Cass Lowe. He was one that really forced me to kind of dig deep and write something personal. And personal to me, again, is not something that… I don't love talking about that (laughs). It’s very British of me! But yeah, he kind of pulled it out on me.

I absolutely love your live shows. You’re known for having amazing live performances. As a singer and a DJ, that’s a lot to be juggling on stage. What’s the most challenging part of performing, and what is your favorite part about being back in front of an audience?

I've gone through phases of different things being harder than others,. For example, singing is the thing that comes most naturally to me so I've been okay with that. But at the very beginning, I was very still on stage. I didn't want to do anything, I just wanted to focus on singing. Then eventually I got more comfortable and started doing weird and crazy dance moves.

I think I speak for everyone that’s seen you live that we love the dance moves.

Thank you! And also at the beginning, I found it hard to figure out what exactly I was going to do live because I did all the production myself and there are like 100 different things that I'm doing one by one when I'm layering in the studio. Figuring out how to do that live was difficult but hopefully, it’s all kind of coming together!

Haley Killam Photography

Interview by Haley Killam

You can listen to "Innerlight" here -